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Manuel of introduction in painter's job laqueur decorator
Synopsis and context of the work of Manuel Diez Matilla
Revision in Sunday, March 20th, 2011
By Christian Diez Axnick
Left 1
Contents
I. Introduction
A) Foreword.
B) A profession which disappears.
C) The signs of a revival.
II. The cabinetmaking and the joinery, the workshop.
a) The apprêtage in joinery.
b) The assembly and the dismantling of furniture.
III. The preparation, the primers.
a) The white of Spain or Meudon, or purple.
b) The glue of skin of rabbit.
IV. Panels
a) The preparation
b) The sanding of furniture, tables and panels
c) The veneer
V. The decoration.
a) The cellulosic lacquer.
b) Patina
c) The polyester
d) The work in the pistol compressor.
VI. The Greek, the engraving.
VII. The gilt.
VIII. Patina, surtons.
IX. Varnishs, finish.
X. The repairs, the rebouchages.
XI. Conclusions
I. Introduction
a) Foreword
If it is a legendary and mythical profession, which has never had its CAP (Vocational Training Qualifacation) until this day, it is the one to laqueur decorator. This extraordinary profession is originally poor man's job. She was not able to support the economic weight of multinationals, oil crises or big monopolistic groups of the wood.
But this job in the deep and numerous roots stays and lives a legend, so much he obliges the artist to draw in the depths of his resources, of his working capacity, of his know-how, of his imagination and of his resourcefulness.
It is because this job associates several jobs at the same time and juxtaposes them, because it accumulates the difficulties, that the result is sometimes beyond the conceivable.
Let us make no mistake, it is the bad faith, the wickedness, coupled with the ignorance and with the general contempt which made of this profession a kind of ghost profession. It is hardly the opposite, and we can assert it without any accommodation, without cutting itself or escaping billion fundamental questions.
All the professionals know it, the small business sector is permanently threatened, and in all the domains of the private initiative, so much the rapacity of the political world is without exit.
As everywhere else, you should not make the confusion between the ancestral fears, and what we can very well take in the first degree.
The characteristic of this profession, is to have escaped never in all the cults. The truth is that we left her by the roadside. It is not an enigma, but the truth. We could make every effort to say and to repeat that there are 12 apostles for 12 small prophets, and 4 big prophets. But practically all the religions of the world guessed him, the problem is the one of the really unwanted customer, the one who wants some scatology, the pornography, the one who does not know what he wants.
Jesus Christ knows that he is not Jérémie, but the problem does not really arise, Jérémie is not either Jesus Christ.
It is not question here to question such or such esotericism, the question rather is to be put at the account of a clientele of deceptive and lost speculators who often make waste their time and their money to the professionals whom we are, wanting everything and anything.
All these traders, these experts in marketing add especially some confusion. Jesus did not hunt them of the temple without reason.
We cannot recreate Louis XV, nor same Louis XVI, enthusiast of locksmithery and watchmaker's shop at the appropriate time, we cannot either go out of the profession and its general frame to quench the mindless needs of such or such.
Albert Einstein had no David Aouat in his pocket, finally not in the spiritual sense, it is clear. He was only dreaming about a more brotherly, better Jewish world.
I had quite a lot of disputes and problems with Aout, as Nina. As Berthe Mann, a very close friend of my mother, it is rather the archetype of the Jewish fundamentalist, the ex-member of Bétar. Einstein was a more opened German Jew, in the less closed reasoning. Do not we go somewhere with the EPR, doubtless also, to realize one day the dream of the alchemists of the Middle Ages, that is to change the golden lead ?
At any rate, the EPR is the only alternative in the fact that our knowledge in physical appearance can evolve. Many evolutions are conceivable.
Interfere in the problems or the controversies between Hebrew trying rest, but the real Christianity keeps its label, its facade.
To tell the truth, the own of the small business sector, it is to guard the strength of expression, its codes, his subtlety, the strength gets lost as usual with the old age. You should not dream too fast either.
It is clear at the end of the Second World War in 45 that the Jewish world is split, and even the Christian world or the Arab-Muslim world.
I knew Katia Ackstein, of her adoptive name, one of the biggest philosophize talmudistes in Germany according to war, which worked as 2-year-old ethnologist in the Iraqi South. His father was a Jew of London, an only survivor with her. All her family was decimated in camps. He had stayed in London.
I lived 10 years maritally with Dominique "Nina” Vende Zimmermann, whose a champion of Paris of 20 000 the father was and whose grandfather was shot in 44 near the ghetto of Warsaw.
I was for a long time also and even until today very friendly with Nicole Lévy, who was also the friend of Jean-Pierre Bourrin, died from the consequences of chemical bombardments in Iraq. We do not know if it is the Iraqi or American aviation which bombarded them. His brother made 5 years of Vietnam.
My father made a magnificent piece of furniture for Georges and Bernard Lech, the ancient football players of the stadium of Reims and the matra racing. Both are also of Polish origins. The father was on a wheelchair, he was the youngest selected player in French team, his son continued in Reims and in the matra racing. It is he and his wife who had ordered him the piece of furniture, finally two furniture it seems to me.
It was already little at the end of career of my father. Everything at the end of his career, he made tables with floral and aquatic landscapes, fabulous lightings, furniture and exceptional decorations, he was really in the firmament of his career, his knowledge and his technique. My father in his debuts had even made the copy of a folding screen of the museum Guimet with another Asian decorator at Midavaine. A magnificent folding screen which had ordered Luis Mariano.
It is necessary to say that Poland is inseparable of John-Paul II, as Germany is it of Saint-Boniface and Algeria of Saint Augustin, or Saint Térèse d' Avila's Spain (which is crossed by Toro moreover).
Few big Jewish artists really enamelled after war, except maybe Marc Chagall and more recently, the singer of Toñas " El Pele " whom I knew on the landing of Andres Francisco Serrita's staircases before it becomes one of 2 or 3 bigger singers of Toñas of the world. In the time, I was a pupil since quite a lot of time, and he was in 10 bigger of the world to be made an order of height.
There was also Raymond Loewy, who worked in the désign for packagings, for NASA, and with whom I have some common points. Simply, we did not evolve in the same domains exactly. I having begun the workshop in 8 years and the factory in 16, having practically helped my father during 25 years, I turned to a work of projeteur, in the IT building at the beginning, then in the mechanics, the railroad, the plumbing, the air conditioning and the CVC, and many other domains still, the piping pharma for example, or more recently the civil engineering. Today I am an account manager air conditioning.
The Judaism suffered from a strong cultural rejection during the cold war. On the other hand,
The reaction came from big Jewish intellectuals. I think in particular of Mrs Bouissy, close friend of Edgard Faure and ancient groupie of Arafat, who left us there is not so for a long time finally, who was also one of 2 better historians of France, and with whom I worked all the same 4 years. I think in center left of traditional, even if you should not be made of illusion, the dominant socialism always betrayed him once in the power and in position.
People as Poincaré, as more recently president Poher, as my father helped in his lifetime when his bodyguards had lost him to the museum Cortot in Montmartre, are people who globally gave me the impression to try to make something to help that I shall call a decomposed Judaism and a pale Catholicism, or the other cults.
It is Mrs Bouissy who had taken us when we were children to see the exhibition on Lucy to the museum of the man, or was mother Térésa when I met her for the first time. It is too who had taken us to the museum of the Arts and popular Traditions.
In the time, this museum was not what it was today, and the domain of the explanations exceeded several billion years light the subject, the material. Today the situation is lesser.
If my father was rather conservative, the center left always struggled in France, it always had a matrix, a general and collective vector, what was not still successful.
b) A profession which disappears.
Let us be serious on the fact that the profession disappears. She disappears not only because of what kabbalistes could call real hostage taking to the Franciscan (do not take me however more anti-franciscan I am, after all pope Jean-Paul II took their defense in one of his last books " Get up! Let us go! "), or because of the concept caciquiste of our democracies, but also because the civilized world disappears at the same time with her.
We are in reality in front of 2 movements compound and followed in the time. Economic fold and loss of a knowledge keep pace.
From the Christian of Anouan to the Jew of the ghetto of Warsaw, to the Muslim of Grozny or moreover, we see him in all the conflicts worldwide: the man is bad, he becomes more and more bad. The inhumanity gains ground more than it loses it.
Except, our job is fragile.
The man is so bad, that he cannot legally aspire any more to the fact than everything is made for his good be. And consequently, the artists of high flight, big calibre, have the right to state their conditions and to refuse the enactments.
The smallest artists, of whom I am, can even refuse purely and simply to follow the movement impulsed by strength that or there. We do not so dream any more nowadays.
The real job disappears, also because of any sorts of menus tyrants and local caciques who live as parasites, on the back of the profession with police forces, the bailiffs, the sex perverts of all kinds. A profession does not generally disappear but that particular reasons do not come to enamel of grave incidents at the same time her development and especially its depth.
For example, in France, president Mitterrand conspired with his Prime Minister, a Jew, Fabius (of its real name Fabuzzi), so that he signs billions in check to a company as Ikéa so that she continues to plunder quietly the African wood. Meanwhile, and indeed the African really starve, of cold, the game disappears, the ecosystem disappears. The often cruel realities catch up any uncontrolled initiative.
Scandinavians will laud their sexual revolution obviously on the corpses of the African. It is hello Sir I am for you. Some always worked to add fuel to the fire, to favor the anti-Semitism and make sure to be able to him.
Indeed on, the North uses on the back of the South. There is there no possible doubt. There is also a will to terrorize, to frighten.
Indeed on that the Islam will be forward the religion said about domination, the dominant thesis, even if nobody likes the theses backwards. But it is the good thesis
In reality, no profession dies if everything was not made so that it disappears, under the weight of the economic lobbies. Except, everything was made so that our disappears, at every level and in all the scales, including in the political scale.
Nothing is more unbearable for managers to be possible that very carrying corporate associations which make of the shade for their dreams of power and the competition in any supreme truth, join forgery with an economic conception of mass.
There is no massive redistribution of the wealth without plunder.
Another shape of plunder is the intellectual plunder, which without my testimony would be attributable to Garouste and Jeumont (associated at the time of decorations of the lodging house) without 20 years of devoted and relentless work of my father, without enormous quantity of tables and furniture whom it made for them. Gérard Garouste is a recognized modern painter today, whom Ministers and even the president of the National Assembly visit. Certainly, they defend from praiseworthy cause, associations so that the children can leave for vacancy, but why did not they make anything for this superstar whom was Manuel Diez Matilla? Cannot we see also a total disparity of treatment there?
I have believed never too much that of big modern, of big désigners could appear without a springboard, without a whole base, a whole compost, a support for the innovative ideas. Moreover in the big time of Manuel Diez, Gérard Garouste was only a dark small budding, anonymous and insignificant modern artist, even if my father already encouraged him and bewared of any premature comment.
His désign of a bottle of pastis brought out on the market in 2006 however packed me, as one of his paintings exposed in Beaubourg, with a whole treatment of the red, which is the color which airs longer.
I find on the other hand that it misses that that the balance which my father knew how to bring.
My father will have worked all in all about twenty years for decorations of the Lodging house, and made hundreds of tables and furniture for them.
The worst example of confusion this one economic that I saw is the industrial example, when the power is concentrated between few hands.
For example when little by little the cabinet makers, the carpenters and the joiners of the faubourg Saint-Antoine disappeared, when the cabinetmaking and the studios closed gradually, when Varnish Jacquelin left to Bagnolet, already, the industrial faintness was general. Already, cellulosic lacquers cracked and cracked if we did not add them varnish. Impossible to make a first coat without varnish.
Except, in first coat, it is necessary on especially no varnish, one needs only at the end. Already, it is all the industrial, in particular German chain, that was sabotaged in general.
The chemistry is the lever which allowed to practise the breakage for the benefit of multinationals and of the biggest companies, in defiance of the law and of the interest of craftsmen.
It is clear that at the end of the second world war also, the Iron Curtain separated the concepts, weakened the tendencies, levelled the oppositions of mass.
I knew in my youth one of the last three society women to have passed 5 years to Auschwitz, and during a discussion of half an hour which we had had in the train, she had spoken to me in particular about what the plastic surgeons made in Russia.
She was removed from the highly-rated of Kiev or Tbilisi, or I also left of distant Ukrainian origins.
This conception, that of the Russian plastic surgeons, was more the one of the competition than that of the art, and we very openly widely inherited from it today, for example in cartoons and comic strip. Especially in cartoons with the emergence of the computer graphics. The industries are engaged a tug of war.
The technical drawing, that of the building and the industries, which corresponds to the professional way that I followed, is also the world of the speed and the profitability as the only economic standard, and very too often we forget all the rest, namely the creativity and the imagination, the whim necessary for the company of any big project.
I am drawer air conditioning and plumbing also, enough centred methods building.
I have all the same about twenty years of experience today.
The competition between the artists was at first a means of compromise, break with the decadent western civilization, but the same civilization early made take back the concept of competition in its account. We take ideas there or there is.
For a long time because the humanism was the other current of the revival, he served as border defined with the big pictorial currents of the very revival. To cross this demarcation line, it was to skip into the camp of the subversive or dissatisfied intellectuals about can be their cult, their confession, or their artistic camp.
Already if in the time the only purpose of many of the ancient transported convicts and the ancient transported convicts was to testify, the modern world did not miss to bring to the foreground new powerful media. These, we could already augur it he has there about twenty years began more and more to be able to since the satellite with the modern and polluting means of communication. We chose to dismember the distant space, as only compromised for the humanity. We are far from the cleanliness and from the Copernican neatness.
Ex member of the Workers' Party, stemming from the 4th international, I think that it is necessary at the same time of the level-headedness and the recoil to be able to media in our contemporary societies.
I send back here the reader to two works which seem to me the most significant in the French plan as regards the 4th international: Itinéraires, of Daniel Gluckstein, the General Secretary of the P.T ., and Pierre Lambert (in the editions du Rocher - of the Rock), and Class struggle and globalization, Daniel Gluckstein (in the editions Selio). I think that unlike a Jean-Pierre Bret, of one Y. Taborin (I do not know any more if it is Yvonne or Yvette, I believe that it is Yvette) or the other big communist intellectuals, the classicism of the 4th international is doubtless even more net.
I had made an oral presentation for Monique Olive and Y. Taborin on Was in hiding Amata, and the cave of the Lazaret in 1983 in Paris 1. In 2006, during a mission of temporary work in Nice, I had the opportunity to see the unique aquatic show of Villeneuve-Loubet, Marineland, and to see also the museum of was in hiding Amata in Nice. He also dedicated it another exposure on the site of Dmanissi, géorgia, on erectus people, coming from man to ergaster, baptized georgicus people, and old man of 1 800 000 years.
In fact, the biggest aquatic park of Europe is not far from Benidorm and from Valencia.
The art is different from the communication, it is the support of the beginning of communication, the prerequisite in a more followed question. Its transformation can sometimes look like a shape of prostitution. I speak here about its massive adaptation for such or such category of age and punctual public, as modern times made it moldable and exploited at will.
To tell the truth, to take only our example, who are children of stateless persons and immigrants, in the diverse European origins, Toro is little Spanich Jerusalem, and the home town of my father, in Old Castile, today Castile and Léon. It has it needed of the road since Alonso Berruguete, since Churriguera, Diez Azevedo, Aléman, Grégorio Fernandez, Fernando Gallego, Valdévi and so many others up to my father, Manuel Diez Matilla. The Christianity remains an abstract composition, or the bourgeoisie becomes confused with the people, or the classes are broken in all the exercises, or their limits become blurred over time. And then Toro was also the capital of the laws in Spain during more than 8 centuries, the city has the most ancient arenas of Spain, about sixty churches and convents, prestigious religious places, and any tendencies. Toro is also the site of the battle of Péléagonzalo. My ancestors are of Pellas and Valdefuza. Toro is also a royal capital for the Spanish and Portuguese sovereigns.
The real Christianity is not the exercise of the exclusion, but that of the fusion towards the same supreme and inviolable purpose. We could add them Juan de Juni, Salcillo, the school of the East and so many others else.
A big colourer as Manuel Diez is also born of the rejection of his predecessors, the rejection of the dominant bourgeoisie. Of the refusal.
The big artists often tend to withdraw on them same, to refuse and to repulse the past having admired him, having forged ahead in. The Christian or religious art is made by additions, by complements, by anticipation and by synthesis. Often the artists at the end of their life slide towards a certain denial or certain doubts.
But the history retains of them only a part of their work, no all their work worldwide, not all their commitment.
An artist does not make that testify of his time, he often brings her also something moreover, something that she would not have seen without him. He accentuates certain things, certain sometimes historic events, emphasizes certain parties, finds symbols, for example symbols of the Passover. My father made hundreds of oil paintings in his life. He knew in his job to use the qualities of the lacquer in a optimal way, and to make with her things that he would not have been able to make for the oil and mutually.
Her sister, Angelita, and a good part of my family, worked in particular for a long time and worked even recently up to its death for the baroness Goury du Roslan, who had a distant family tie with Joseph, the brother of Napoleon. His work of laqueur decorator, my father exercised him of Biarritz to Deauville, by way of Tours.
The baroness, or her nephew, saw dedicating the book of the Russian writer Pasdoc de Salkoff " The coachman of the Troika ". Pasdoc of Salkoff speak about its career of singer and about the French song there.
This baroness who left us in April, 2005 was of Danish and American origin, her parents were the one the former ambassador of Denmark in Paris, the other one an American banker, finally his daughter I believe.
Her German family had emigrated in Denmark. She indeed went down Moltke, name of the German marshal who participated in an attempt against Hitler. Anne Frank speaks about him in his newspaper, regretting that this German nobliau did not succeed in his enterprise. In reality Moltke is of Danish origin, he had made a commitment in the German army.
The grandfather of my cousins of Germany, whom we nickname Opa Linie, also participated in an attempt against Hitler, the one who ended in hundreds of executions and beheaded opponents. The major part of my German family was on the roads of the exodus after the rout, the collapse and the advance of the Russian troops, and in number of small transit camps, of which a step far from Stuthoff, near Danzig, current Gdansk, and also that of Marianenfeld near Berlin.
Horst, the elder son of the brothers, died from the typhoid in one of these camps.
The baroness thus died there is little, in 105 years. She went out, was born with century and was dying with him.
Pasdoc of Salkoff, in his book, deals with the French song. He quotes in particular Charles Aznavour there, who has his village hall to Arnouville, and many of the others, Trenet, Brel, Montand, Johnny Halliday. Pasdoc of Salkoff is a ancient Russian airman, as my friend Jean Seigaud, the last French airman must to have taken part in the battle of England, of which the father is one of the main engineers of the Maginot line. I vaguely knew a Breton airman who made 15 war years with De Lattre. Seigaud is a more composed man. He finishes quietly his days at the hospital of Gonesse.
Thrown by the plane on Algeria without parachute, he has of his survival only in his parachute of help and in a tree which paid off its fall, but by drilling him the spleen, he finished in a very grave state until today. His state of general paralysis is still since.
He is a disabled person in 90 %, as my older brother is sick mental in 90 %, schizoid and schizophrenic. Having said that, my older brother, even if he is sick, worked with practically all most great masters of martial arts of the world. He not bad travelled, in Morocco, in the South of the antique hunting, in the Tibet, but less than my mother. My other brother, David, died tragically. The madness of my older brother weighed after all very heavy, even if it is not the only parameter which precipitated its sad end from which I could never recover. It is a real vegetable of egoism.
Careers today offer no more geographical perspectives so deep for craftsmen, which are a little the singers of the painting and the adventurers of the second half of the XXth century. At first because we took the nasty habit to suffocate craftsmen, so we are jealous of them. A whole commercial folding screen was set up, a whole artificial shop window, a permanent advertising harassment. Without counting the industrial sabotage, the racist, anti-semitic attacks sometimes against the storekeepers and their stores, the racket, the various offences. The profession is not spared, the whole chain either.
Then, everything in summer made to add fuel to the fire and instigate the hatred against craftsmenand " old Europe ", ancient order in a way, the others declaring itself automatically as of excellent modern, what is far from being the case. In fact, the real modernism, the real artistic innovation is by definition of classic nature.
There is no novelty without objective evidence.
The "ancient" as we call them discovered Kurt Masur before the businessmen and the finance fall him top and Campanella well before the others, and the Toñas of El Pele and the Jaléos of Chano Lobato well before the others else.
The biggest began by seducing the ancient and mutually. It is the best label of the real difference. It is true for the absurd treated by Carlos Montoya, for Ramon Montoya, for the logic treated by José-Antonio Sabicas, for Serra and his son Serrita and his zambras or still José El Toro, his friend singer.
There is always for a final exam to be crossed. Serra registered with the biggest, El Camaron de la Isla, Paco de Lucia, Escudéro and so many others.
But unlike others those whom we call the ancient worked with them and for them, without counting what they bequeathed to their children. The big innovations are very often classic. It is rare that the modern world does not plagiarize.
What I like for example at Chopin, even if it was an alcoholic, it is that he was not situated inside the big empires of his time. Neither inside the British empire, nor inside that of the Saint Roman Empire Germanic, or the Teutonic knights exterminated the Prussian to convert them to the Catholicism, nor inside that of Charles-Quint, Chopin was a big lyric spirit, one of the first ones to appear outside the system, to upset the standards.
The sharpness, the fluidity of its play, give to its melodies a lyric in the surprising outcomes. Chopin was Copernican in the soul. He knew how to surprise pleasantly and suddenly as Dvorak.
Very often, throughout his career, my father surprised Asian craftsmen and other draftsmen in front of shop windows plagiarizing the decorations of his tables or his furniture.
The real ideas, we are going to look for them above all there or is the quality. The strength is the mainspring which does not appear alone, whom we always eventually copy and may to sabotage.
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14.10.2013
Message aux internautes allemands
Chers amis internautes,
Mon père, le peintre et laqueur décorateur Manuel Diez Matilla, aura comme ma famille, cotoyé toute sa vie des personnalités importantes de l’histoire allemande.
Ce blog se compose de :
- Deux textes autobiographiques de cet artiste majeur, qui relatent l’incendie de l’église Santa Catalina à Toro. Celle oû beaucoup d’œuvre du Berruguete ont notamment disparu.
- Un manuel d’introduction au métier de peintre laqueur décorateur en 4 parties
- 11 études psychologiques remaniées au fur et à mesure
J’insisterai uniquement, sur le fait qu’il ait beaucoup fréquenté la baronne Goury de Roslan, née von Moltke, pour qui sa sœur Angelita a travaillé une vingtaine d’années. Le grand-père de mes cousins d’Allemagne, Opa Line, était pratiquement dans la même conjuration qui faillit assassiner Hitler. Moltke était des conjurés.
Le monde est fait de coïncidences troublantes, et sa mort jette le trouble, puisqu’il était un des derniers témoins de son temps que l’on peut qualifier d’important.
Il y a quelques mois, l’ambassadeur d’Allemagne est venu rappeler à l’église allemande, que les pasteurs représentent aussi leur pays. Il a depuis ete remplacé par une femme, très récemment. J’ai essayé de traduire les textes au fur et à mesure.
Ma mère a ete invitée à l'ambassade, au palais Beauharnais, avec Mme le pasteur Buttler et la deutsche Evangelische Kirche.
Bonne lecture et bonne visite.
Christian Diez Axnick.
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77 340 Pontault-Combault
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ARCOBA 2005
8 avenue Pablo Picasso
94 132 Fontenay sous Bois
Coordonnées à retrouver
VAN FROID 2006
66, rue du professeur Paul Milliez
ZAC des Nations
94 500 Champigny-sur-Marne
Responsables : Mme Isabelle Van Thin - M. van Thin
TECHNIQUE ASSISTANCE 2006
18 rue Couste
94 230 Cachan
Coordonnées à retrouver
CINFORA 2006
2 av. du docteur Robini
06 200 Nice
Coordonnées à retrouver
Rafael
SATEM 2006
14, rue du Fossé Blanc
92 230 Gennevilliers
Coordonnées à retrouver
Cabinet J. GIRODON 2006
5 rue des frères Lumière
Z.I. des Ebissoires
78 370 Plaisir
Employeur : M. Girodon
SIBAT 2006
17, rue Froment
75 011 Paris
Coordonnées à retrouver
CORETUDE 2006
9 rue de la butte de Ravanne
78 730 Saint-Arnoult en Yvelines
Coordonnées perdues
Collègue : M. Ndib Henri
BEMING 2006
3, avenue de la Baltique
91 940 Les Ulis Courtaboeuf ( Villebon-sur-Yvette )
Coordonnées à retrouver
AXIMA 2006
42, avenue Augustin Dumont
92 240 Malakoff
Coordonnées à retrouver
INGECOBA 2006
28 rue du château d’eau
78 360 Montesson
Coordonnées à retrouver
LES COMPAGNONS D’ERIC 2007
BP28 - 117 rue Royale - Saint-Mesmes
77 412 Claye Souilly cedex
Coordonnées à retrouver
ETDE 2007 ( BOUYGUES CONSTRUCTION )
23 rue Buffon - rue de la procession
92 500 Rueil-Malmaison
Coordonnées à retrouver
EMT GENIE CLIMATIQUE 2007
2, chemin vers le moulin
91 160 Champlan
Coordonnées à retrouver
SAUNIER ET ASSOCIES 2007
205 av. Georges Clémenceau
Nanterre
Coordonnées à retrouver
SERTBA 2007
Nanterre
Coordonnées à retrouver
AXIMA 2007
Agence Paris 5
42, av. Augustin Dumont
92 240 Malakoff
M. Perez serge
M. Verbainen Pascal
M. Vincent Guillaume
M Pepermans Julien
Jean-Luc - Ludo - Thierry - Rafael - Christophe - Claude Le P. - Thibault
M. Julien broussillon
M. Lebreton
M. benoit Sébastien
INGENIERIE STUDIO 2007
64 rue du dessous des Berges
75 013 Paris
Personnes à contacter :
- M. Catin
- M. Pierre Bidan
- Emerson
- M. Marco
Pascal - Mikael
Secrétaire : M’Tir Fatima
M. Regredj Wallid : chargé d’affaires
M. Lombardo
SETCO 2007 - 2008
205 av. Georges Clémenceau
Bâtiment Le Clémenceau 2
92 024 Nanterre
Gérant : M. Salengro
Secrétaire - comptable : Mme Arnault
Directeur BE : M. Dura
Responsable d’affaires : M. Véron
Secrétaires : Mme Flahaut Maryse - Kolonczyk Iwona - Aubry Françoise
Employés : M. amirouche Mehdi - castan Gregory - Oismayo samir - Colliot Thiérry -M. Belu
Thermicien : M. Poisson
M. Molnar - M. Gatineau - M. Serre - M. Jean Luc Durand
BETOM 2008
33 avenue de Etats-Unis
78 000 Versailles
CVC : M. Piel Hervé
M. Philippe Dupuis
Mme Marie Derortet
Mme Meunier
M. Francis Penamor
CVC : M. O. Jabbur
Chef de projet : M. Didier Maurice
Franck - Liliane - Nicole Lebespon - Véronique Boulay – Hervé
M. Ledur
S2R 2008
ZAC 3 « Les Gatines »
15 bis avenue du Garigliano
91 600 Savigny-sur-Orge
- M. Naim
- M. Cardesa Dominique
- M. Sicheret Alain
- M. Despagne bernard
- M. Imbault Antoine
- M. Rodriguez Abilio
COGECLIM 2008
13 rue des Activités
91 540 Ormoy
- M. Viratelle Ollivier
- M. Fernandez Ollivier
- M. Nunes
- Mme Decan Alexandra
- M. Ben Meyer
Cathy - Patricia
CET INGENIERIE 2008
23, Quai Alfred Sysley
92 390 Villeneuve-la-Garenne
Directeur général : M. Brault
Secrétaire : Mme Maillard
Directeur de section : M. Lauer
M. fares
M. Huard
Collègues : Guiseppe
Responsable d’affaires : M. Burger Stéphane au 06 79 48 16 64
M. belbonab Toufik
Secrétaire : Mme Buge Danielle - Mme Peuch Chantal
Mme Cingal Valérie
Mme Cecarelli ( communication ) - Marielle
M. Francis Penamor ( ancien BETOM )
M. Allaouech Oudir
M. François Devot
A l’issue de la mission : passage au département électricité d’OGER au service de M. Pascal Py
CAPCLIM 2008
6, rue de Paris
95 330 Domont
Gérant : M. Ciray
Secrétaires : Patricia – Delphine
M. Cana Brice
Collègue : M. Filoche Claude - Da Paula José - M. Assarar Said - M. Fontinelle Pierre - M. Hilaire Benoît ( ancien collègue )
Responsable d’affaires : M. Christian Tasset
Ets Ventil-gaz 2008
Z.A. N°2 Les Bosquets - BP 60 055
BP N° 38
95 540 Méry-sur-Oise
Domaines : clim/plomberie/chauffage
Directeur-gérant-responsable d’affaires : M Huard Serge ( tel. : 06 67 21 21 58 )
Gérante : Mme Huard
M. Djerboua Patrick
ISOCHEM 2008, Groupe SNPE
4 avenue Philippe Le Bon
Dequevauvilliers - Z.I. du Val de Seine
92230 Gennevilliers
Domaine : chimie pharma
GTTT ( bureau d’ingéniérie ) : M. Bostffocher ( tel. : 06 07 18 98 06 ) - Mme Françoise Montenon
M. reboul - PDG - 01 44 67 85 50
Isochem :
Responsable direct : M. Philippe Daumont
Président du comité d’établissement : M. Patrick Giffoni
Responsable HSE ( hygiène et Sécurité Elémentaire ) : Mlle Amélie Delcourt
Electricien : M. Philippe Combe ( responsable en l’absence M. Daumont )
Tuyauteurs : Ichard - M. M’Pono
Atelier : M. Charles Martel - M. Patrick Jérôme
Autres : M. Eric Bouste - M. Afik Eltouli - Mme Maouche Maria
SACATEC Equipements 2009
ZAE de la Grande Couture
30, rue de la Malmaison
95 500 Gonesse
N° 1 national en bras articulés, rails alu creux et gaines acier galvanisé flexibles en hauteur,
Ventilateurs et extracteurs gamme SAV
Collègues et responsables :
Gérant : M. Ferrero Marc
Responsable achats : M. Leloup Christian
José
Joël ( monteur )
Supérieur direct : M. Smalzi Gilles
Employées :
Mlle Tanguy Ramos Jennifer - j.tanguy@sacatecequipement.com - tel. : 01 39 85 01 10
Mme Rémond Marjolaine
Mlle Maria Miguel
Mlle Bugno Tiphaine
Mlle Ballin Séverine
Mélanie Peter : responsable région Nord
COGECLIM 2009
13 rue des Activités
91 540 Ormoy
Tel. : 01 60 77 00 31
- M. Viratelle Olivier ( chargé d’affaires ) - tel. : 06 86 46 87 63
- M. Fernandez Olivier
- M. Nunes
- Mme Decan Alexandra
- M. Ben Meyer
- Cathy - Patricia
- Paola Gonçalves
Société d’intérim
Contact : Carole, d’exess intérim au 01 40 36 52 00
SNCF INGENIERIE 2009
4, rue Ferrus
75 014 Paris
- M. Zenatti Abdel ( Responsable d’affaires )
- M. Michel Teyber ( directeur BE )
- Martine
- Mathieu
- Patrick
- Denis
- Saïd
- Mlle Briand françoise
- Sylvain
- M. mahfouhd
- VIC 2009
- Vente Installation Contrôle
- 229, avenue Laurent Cely
- F-92 230 Gennevilliers
- Mrs Nabil Kessab et Alain Germade( Responsable d’affaires )
- M. Bonnard Thierry
- M. Bonnard Claude
- M. Richard
- Mme Grazziela Drouet
- M. Lacroix
- M. Pinard ( société Gerodo )
- M. Pascal Didier
AGB 2009
Entreprise générale du bâtiment
105 rue Raymond Barbet
92 000 nanterre
- M. Kaoula Samir ( responsable d’affaires )
- Benoit Hilaire ( ancien Capclim )
- Bruno
- Gregory
- Michel ( C.A. )
SOGETH - DALKIA
28 rue Kleber
92 320 Châtillon
- Mlle Messager Michèle ( ingénieur - C.A. ) : tel : 01 55 58 27 03
- M. Favier Gaël
- M. Beaumont Vincent
- M. Eric Josse
- M. Barette François
- Mme Sabine Chauvel
- M. Garcia Sébastien
- M. Bellay Pierre
- M. Buffet Jean-Claude
- M. Dolle Sébastien
- M. George Jean-Michel
- M. Gonçalves Antonio
- M. Jaffrezic Jean-Claude
- M. Labruyère Claude
- M. Martins Amilcar
- M. Merzougui Mehdi
- M. Noslier Alain
- M. Nunès José
- M Paillard Patrick
- M. Potier Christophe
- M. Ribeiro Daniel
- M. Soulas Antony
- M. Thomas Jean-François
- STEPC
- 9, rue de Paris
- 95 570 Moisselle
-
- M. Guy Czalka
- Mme Czalka
- M. François Lexcellent
- Fabien
- Nicolas
- Joëlle
- Laurent
- Anis
- Ricardo
- José
- Sandra
- Thierry
- ARISTOT
- 205, rue Lafayette
- 75 010 Paris
-
- M. D. Coutelle
- M. L. Blaisonneau
ALLARD IDF
48, rue Carvès
92 120 Montrouge
- Mr Jérôme Fernandez ( chargé de projet )
- Mr Frédéric Roy ( conducteur de travaux )
- Mr Jérôme Le Mire ( chargé d’affaires )
- Ghislain, Nicolas, Jérome, Marlène, Fabien
- Marielle Ahmed
- Mr Mathieu Allard ( gérant – PDG )
- Mr François Allard
-
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Jeudi 6 mars 2014
Chers amis internautes,
Ce blog vous l’aurez compris brosse et détaille une partie de l’œuvre de mon père, le grand peintre et laqueur décorateur Manuel Diez Matilla. C’était un immense maître, et parfois on ne sait pas exactement par quel bout le prendre tellement son rayonnement a été vaste et tant les temps ont changé. La maîtrise n'est plus la même et les technologies ont évolué. On est progressivement passé de la laque cellulosique au vernis polyester dans l'ameublement.
La société évolue, et autant elle ne lui a manifesté que peu d’égards et une bien piètre reconnaissance, autant elle ne garde que peu de souvenirs de lui, même si sa production a été gigantesque. Pourtant peu de grands peintres ont atteint un tel niveau, et ses successeurs sont d’ailleurs assez rares. Je pense à Grisbert par exemple, dans sa branche professionnelle.
Quoiqu’il en soit, j’ai essayé de m’aventurer dans certains domaines, afin de rendre une meilleure explication de son œuvre, du moins au sens global du terme, de façon à mieux dépeindre le contexte de sa carrière. J’ai essayé de donner, de dégager des lignes directrices.
Sa mort à 63 ans en 91, puis celle dramatique de mon frère David en 99, m’on forcé et contraint à me remettre aussi en cause. Sans compter une opération de la corne de l'épiploon, une douloureuse arthrite, un peu trop d'acide urique, bref des problèmes de santé personnels. J'ai malgré tout le souci de restituer la vie des acteurs de la grande époque. L'industrie du luxe a évolué, elle s'est démocratisée depuis les années 70.
J’eus aimé que l’on prenne mieux en compte les risques pris par les entrepreneurs pour leur santé, par exemple leur exposition aux produits chimiques, et tant d’autres risques.
Mais le monde est ce qu’il est, et dans ces textes, dont deux sont de lui, je me suis évertué à tenter de retracer les idées forces dans lesquelles il ne s’est pas non plus engagé à la légère, en espérant que ce travail de vulgarisation puisse à son propre tour profiter au grand public. J'ai récupéré quelques unes des notes qu'il prenait au crayon dans son atelier, avant sa démolition.
Je suis parti d’une intention assez large. A un moment, je pensais aussi faire un manuel pour le métier de vernisseur sur bois, polyester, polyuréthane, mais je me suis dis que le moment n’était pas encore venu, et que notre métier doit se suffire à lui-même.
J'ai achevée la traduction en anglais, vous avez été jusqu’à 18 297 visiteurs sur Centerblog, et vous êtes actuellement un peu plus de 28 381 sur blogg.org. C’est un grand succès d'écoute et de vulgarisation, qui prouve que l'amour du public est réciproque. Le cap des 46 618 visiteurs est déjà franchi.
Il ne faut pas oublier les sacrifices exigés par notre métier, ou encore l’opprobre dont il a parfois fait l’objet, tant les médias déversent sur nous des flots de contre-vérités ou emploient la sous-information, voire le mensonge par omission.
En tous les cas, je suis attaché à ce travail objectif d’information, de mise en relief, et pour rien au monde je ne voudrais qu’on nous oublie une fois de plus, et qu’on laisse l’artisanat sur le bas coté de la route. Tant a été fait, et il y a tant à dire sur notre corporation.
Quoiqu’il en soit, je vous remercie pour votre attention, car elle confirme ce que j’ai toujours pensé, Manuel Diez était un grand artiste, un précurseur, un personnage hors-normes, un peintre espagnol comme il n’en existe plus d’un tel caractère, un coloriste et un maître de la patine hors-pair. Sur la photo du haut, on le voit en train de graver un de ses décors dans l'ancien atelier avec l'outil.
Il a atteint le firmament dans les années 50,60,70,80. C'était véritablement un des plus grands laqueur décorateur de son époque et un immense peintre. Manuel Diez a aussi ete le continuateur de la république de 1936, celle des Torroba, De Falla, Albéniz, celle du Caracol, de Tarrega, de Rodrigo, de Sor et de tant d'autres.
Immense compositeur de décors floraux, asiatiques et aquatiques, sur meubles et sur tables, il a beaucoup peint tout au long de sa vie, réalisant des centaines d'oeuvre à l'huile, à la cellulosique, au pastel.
Avec mes plus sincères remerciements au public qui l’a supporté et suivi.
Christian Diez.
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14.10.2013
Liebe Freunde Internet-Benutzer und Bewunderer,
Dieser blog von Popularisierung in unseren Handwerken und in unseren Staatskörpern ist im Bau und im Fortschreiten gegenwärtig, er versteht vorerst:
- 2 autobiographische Texte meines Vaters auf dem Brand der Kirche Santa Catalina, der in Toro in 57 oder 58 ergeben ist, und auf dem Golgatha und dem Tod des Christus, lieber seine Tötung. Diese Texte schildern auch den Tod des älteren Bruders meines Vaters und diejenige meines Großvaters.
- Ein Lehrbuch von Einführung ins Handwerk von Maler laqueur Dekorateur in 4 Seiten geteilter.
- 11 psychologische Studien, die sein Werk und seinen Zusammenhang schildern
Er ist in französisch und in spanisch, auf deutsch und auch auf englisch.
Mit meinen aufrichtigsten Dankeschön dem Publikum. Guter Besuch allen.
Christian Diez Axnick.
Dear Internet friends and admirers,
This blog of popularization in our jobs and in our building trades is at present under construction and in progress, it includes for the moment:
- 2 autobiographical texts of my father on the fire of the church Santa Catalina arisen to Toro in 57 or 58, and on the Calvary and the death of the Christ, rather his killing. These texts also redraw the death of the elder brother of my father and that of my grandfather.
- A manual worker of introduction in painter's job laqueur decorator divided into 4 parts.
- 11 psychological studies which redraw its work and its context.
He is for the moment available in French and in Spanish, in German and in English.
With my most sincere thanks to the public. Good visit to all.
Christian Diez Axnick.
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Homme du temps écoulé
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